Mitsuko Uchida
BIOGRAPHY
Mitsuko Uchida
2023 Grammy® Nominee for Best Classical Instrumental Solo for Beethoven’s Diabelli Variations
One of the most revered artists of our time, Mitsuko Uchida is known as a peerless interpreter of the works of Mozart, Schubert, Schumann and Beethoven, as well for being a devotee of the piano music of Alban Berg, Arnold Schoenberg, Anton Webern, and György Kurtág. She is Musical America’s 2022 Artist of the Year, and a Carnegie Hall Perspectives artist across the 2022/3, 2023/4 and 2024/5 seasons. Her latest recording, of Beethoven’s Diabelli Variations, was released to critical acclaim earlier this year, has been nominated for a Grammy® Award, and won the 2022 Gramophone Piano Award.
She has enjoyed close relationships over many years with the world’s most renowned orchestras, including the Berlin Philharmonic, Royal Concertgebouw Orchestra, Bavarian Radio Symphony, London Symphony Orchestra, London Philharmonic Orchestra, and – in the US – the Chicago Symphony and The Cleveland Orchestra, with whom she recently celebrated her 100th performance at Severance Hall. Conductors with whom she has worked closely have included Bernard Haitink, Sir Simon Rattle, Riccardo Muti, Esa-Pekka Salonen, Vladimir Jurowski, Andris Nelsons, Gustavo Dudamel, and Mariss Jansons.
Since 2016, Mitsuko Uchida has been an Artistic Partner of the Mahler Chamber Orchestra, with whom she is currently engaged on a multi-season touring project in Europe, Japan and North America. She also appears regularly in recital in Vienna, Berlin, Paris, Amsterdam, London, New York and Tokyo, and is a frequent guest at the Salzburg Mozartwoche and Salzburg Festival.
Mitsuko Uchida records exclusively for Decca, and her multi-award-winning discography includes the complete Mozart and Schubert piano sonatas. She is the recipient of two Grammy® Awards – for Mozart Concertos with The Cleveland Orchestra, and for an album of lieder with Dorothea Röschmann – and her recording of the Schoenberg Piano Concerto with Pierre Boulez and the Cleveland Orchestra won the Gramophone Award for Best Concerto.
A founding member of the Borletti-Buitoni Trust and Director of Marlboro Music Festival, Mitsuko Uchida is a recipient of the Golden Mozart Medal from the Salzburg Mozarteum, and the Praemium Imperiale from the Japan Art Association. She has also been awarded the Gold Medal of the Royal Philharmonic Society and the Wigmore Hall Medal, and holds Honorary Degrees from the Universities of Oxford and Cambridge. In 2009 she was made a Dame Commander of the Order of the British Empire.
Beethoven: Diabelli Variations
On 8 April, Decca Classics will release Mitsuko Uchida’s new recording of Beethoven’s Diabelli Variations. Among the most celebrated living interpreters of the music of the Classical period, Uchida captures on disc her interpretation of one of the greatest works in the piano repertoire.
Uchida’s live performances of the Diabelli Variations have been praised as “mesmerizing” by The Guardian, “dazzling” by The Arts Desk and “compelling to the end” by the New York Times. The new recording of the work was made at Snape Maltings in Suffolk, a concert hall with which Uchida feels a strong affinity.
Beethoven’s Diabelli Variations stand alongside Bach’s Goldberg Variations as the pinnacle of the variation form. In 1819, the dilettante composer and publisher Antonio Diabelli commissioned around 50 of the leading composers in Vienna (including Franz Schubert) to compose variations on a theme he had written. Among them, Beethoven was at first dismayed by the quality of the theme (describing it as a “cobbler’s patch”) and scathing of such collaborative models of work. Yet, working intermittently on the set for six years, Beethoven was able to transform the mundane theme into one of the most sublime pieces of piano music ever written.
CONCERT CALENDAR
december 2024 01dec8:00 pmBERLIN, GERMANY - RSB BERLIN - BEETHOVEN Programme
Beethoven: Concerto for Piano and Orchestra No. 3 in C minor op. 37
Performing with
Rundfunk-Sinfonieorchester Berlin
Vladimir Jurowski, conductor
Venue note:
Für das Klavierkonzert Nr. 3 von Ludwig van Beethoven braucht es eine wissende more Programme Performing with Venue note: Wie den heißen Brei umschlich Johannes Brahms die Saurierspuren des verehrten Beethoven, seitdem Robert Schumann ihn aufgefordert hatte, in eben diese Fußstapfen zu treten. Zu den Annäherungsversuchen gehörten das erste Klavierkonzert, verschiedenen Kammermusikgattungen und eben die beiden Serenaden für Orchester. Vladimir Jurowski wird klingend aufzeigen, welch immense Qualität in der Musik der Serenade Nr. 1 steckt – jenseits aller „Sinfonievorbereitung“. Einer, der wiederum Brahms nacheiferte, war der inzwischen 150-jährige Arnold Schönberg. Das enfant terrible der Musik des frühen 20. Jahrhunderts legte ab etwa 1934 überraschend geläuterte Werke vor, die den Schönbergschen Zuwachs an innovativen Kompositionstechniken nicht leugnen, sich aber mit Lust und Freude auch an das tonale Davor erinnern, als Schönberg noch ein glühender Apologet von Brahms und überhaupt der Romantik und der Klassik gewesen ist. Thema und Variationen für Orchester aus dem Jahre 1943 sind ein charmantes Beispiel für Schönbergs Umsetzung von Brahms‘ Gedanken der „entwickelnden Variation“. (Sunday) 8:00 pm Berliner Philharmonie Herbert-von-Karajan-Straße 1, 10785 Berlin, Germany 04dec8:00 pmPARIS, FRANCE - ORCHESTRE DE PARIS - BEETHOVEN PROGRAMME
Beethoven: Piano Concerto No. 3
PERFORMING WITH
Orchestre de Paris
Klaus Mäkelä, conductor
VENUE NOTE:
Beethoven's epic-tragic grandeur, sublimated by Mitsuko Uchida's touch, shines through on this exceptional line-up, all the more so as it more PROGRAMME PERFORMING WITH VENUE NOTE: It is a privilege to attend the premiere of A Sky too Small bythe young British composer Charlotte Bray, unquestionably one of the most promising talents of her generation. Commissioned by the Orchestre de Paris, this fascinating work is followed by Beethoven’s Concerto No. 3, in which the composer, emancipating himself from the legacy of Mozart and Haydn, takes a leap into history. In the “tragic” key of C minor, he offers an Allegro with a heroic key, a Largo in which the piano, with nocturnal tenderness, unfolds and then adorns a sublime cantilena, and a Finale with a magnetic impulse, until apotheosis. Finally, the Symphonie fantastique, in addition to being part of the historical roots of the Orchestre de Paris, remains a true standard of French music. Excessive, theatrical, rich in reminiscences of Shakespeare, Goethe, and of course Beethoven, it is structured around a “fixed idea”, until the grandiose, and parodic explosion of the Dies Irae. No work, perhaps, by its scope, the number of personnel it requires, its contrasts and its intensity, is capable of more magnifying the power and expressive capacities of a symphony orchestra. A Sky too Small by Charlotte Bray was commissioned by the Festival d’Aix-en-Provence and the Philharmonie de Paris – Orchestre de Paris. The world premiere took place on July 13, 2024 with the Orchestre de Paris, conducted by Klaus Mäkelä. (Wednesday) 8:00 pm Philharmonie de Paris 221 Av. Jean Jaurès, 75019 Paris, France 05dec8:00 pmPARIS, FRANCE - ORCHESTRE DE PARIS - BEETHOVEN PROGRAMME
Beethoven: Piano Concerto No. 3
PERFORMING WITH
Orchestre de Paris
Klaus Mäkelä, conductor
VENUE NOTE:
Beethoven's epic-tragic grandeur, sublimated by Mitsuko Uchida's touch, shines through on this exceptional line-up, all the more so as it more PROGRAMME PERFORMING WITH VENUE NOTE: It is a privilege to attend the premiere of A Sky too Small bythe young British composer Charlotte Bray, unquestionably one of the most promising talents of her generation. Commissioned by the Orchestre de Paris, this fascinating work is followed by Beethoven’s Concerto No. 3, in which the composer, emancipating himself from the legacy of Mozart and Haydn, takes a leap into history. In the “tragic” key of C minor, he offers an Allegro with a heroic key, a Largo in which the piano, with nocturnal tenderness, unfolds and then adorns a sublime cantilena, and a Finale with a magnetic impulse, until apotheosis. Finally, the Symphonie fantastique, in addition to being part of the historical roots of the Orchestre de Paris, remains a true standard of French music. Excessive, theatrical, rich in reminiscences of Shakespeare, Goethe, and of course Beethoven, it is structured around a “fixed idea”, until the grandiose, and parodic explosion of the Dies Irae. No work, perhaps, by its scope, the number of personnel it requires, its contrasts and its intensity, is capable of more magnifying the power and expressive capacities of a symphony orchestra. A Sky too Small by Charlotte Bray was commissioned by the Festival d’Aix-en-Provence and the Philharmonie de Paris – Orchestre de Paris. The world premiere took place on July 13, 2024 with the Orchestre de Paris, conducted by Klaus Mäkelä. (Thursday) 8:00 pm Philharmonie de Paris 221 Av. Jean Jaurès, 75019 Paris, France january 2025 21jan7:30 pmLUXEMBOURG - MAHLER CHAMBER ORCHESTRA - MOZART, HÄNDEL PROGRAMME
W. A. MOZART: Piano Concerto No.18 K.456
G. F. HÄNDEL: Concerto Grosso op. 3 No. 2
W. A. MOZART: Piano Concerto No.21 K.467
PERFORMING WITH
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & more PROGRAMME PERFORMING WITH MCO NOTE: For this concert in Luxembourg Mozart’s Piano Concerto No. 18 and No. 21 frame George Frideric Handel’s Concerto Grosso op. 3 No. 2. Often overshadowed by his more famous B-flat concerto (Piano Concerto No. 27), Mozart’s Piano Concerto No. 18 leans towards the entertaining rather than the expressive, offering glimpses of the deeper poignance that would characterize his later works. The opening movement of Handel’s Concerto Grosso op. 3 No. 2 bears a close relationship to Handel’s Brockes Passion of 1716. Two dance movements, a minuet, and a gavotte complete the concerto. In the Largo, the oboe’s expressive cantilena is gently accompanied by the broken-chord accompaniment of two concertante cellos. The concert concludes with Mozart’s Piano Concerto No. 21, K. 467, a work of depth and beauty. Known for its large melodic leaps and underlying restlessness, this concerto’s middle movement is particularly renowned for its expressive poignancy. (Tuesday) 7:30 pm Philharmonie Luxembourg 1 Place de l'Europe, 1499 Luxembourg 23jan7:30 pmDORTMUND, GERMANY - MAHLER CHAMBER ORCHESTRA - MOZART, JANÁČEK PROGRAMME
W. A. MOZART: Piano Concerto No.18 K.456
L. JANÁČEK: Mládí
W. A. MOZART: Piano Concerto No.21 K.467
PERFORMING WITH
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & leader
Mahler Chamber Orchestra
MCO more PROGRAMME PERFORMING WITH MCO NOTE: Often overshadowed by his more famous B-flat concerto (Piano Concerto No. 27), No. 18 leans towards the entertaining rather than expressive, offering glimpses of the deeper poignance that would characterise Mozart’s later works. Janáček’s Mládí adds contrast to the programme. Composed during a reflective period in Janáček’s life, this wind sextet is a recollection of his youth, infused with astute humor and a classical form. Written during a stay in his birthplace of Hukvaldy, Janáček uses fresh expressions and a quote from his earlier work, March of the Blue Boys, to evoke the spirit of his younger days. The addition of a bass clarinet to the traditional wind quintet lends the piece a unique, rich texture. The concert concludes with Mozart’s Piano Concerto No. 21, K. 467, a work of depth and beauty. Known for its large melodic leaps and underlying restlessness, this concerto’s middle movement is particularly renowned for its expressive poignancy. (Thursday) 7:30 pm Konzerthaus Dortmund Brückstraße 21, 44135 Dortmund, Germany 26jan8:00 pmHAMBURG, GERMANY - MAHLER CHAMBER ORCHESTRA - MOZART, JANÁČEK PROGRAMME
W. A. MOZART: Piano Concerto No.18 K.456
L. JANÁČEK: Mládí
W. A. MOZART: Piano Concerto No.21 K.467
PERFORMING WITH
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & leader
Mahler Chamber Orchestra
MCO NOTE:
The fifth year more PROGRAMME PERFORMING WITH MCO NOTE: Often overshadowed by his more famous B-flat concerto (Piano Concerto No. 27), No. 18 leans towards the entertaining rather than expressive, offering glimpses of the deeper poignance that would characterise Mozart’s later works. Janáček’s Mládí adds contrast to the programme. Composed during a reflective period in Janáček’s life, this wind sextet is a recollection of his youth, infused with astute humor and a classical form. Written during a stay in his birthplace of Hukvaldy, Janáček uses fresh expressions and a quote from his earlier work, March of the Blue Boys, to evoke the spirit of his younger days. The addition of a bass clarinet to the traditional wind quintet lends the piece a unique, rich texture. The concert concludes with Mozart’s Piano Concerto No. 21, K. 467, a work of depth and beauty. Known for its large melodic leaps and underlying restlessness, this concerto’s middle movement is particularly renowned for its expressive poignancy. (Sunday) 8:00 pm Elbphilharmonie Hamburg Platz d. Deutschen Einheit 4, 20457 Hamburg, Germany 28jan7:30 pmVIENNA, AUSTRIA - MAHLER CHAMBER ORCHESTRA - MOZART, JANÁČEK PROGRAMME
W. A. MOZART: Piano Concerto No.18 K.456
L. JANÁČEK: Mládí
W. A. MOZART: Piano Concerto No.21 K.467
PERFORMING WITH
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & leader
Mahler Chamber Orchestra
MCO NOTE:
The fifth year more PROGRAMME PERFORMING WITH MCO NOTE: Often overshadowed by his more famous B-flat concerto (Piano Concerto No. 27), No. 18 leans towards the entertaining rather than expressive, offering glimpses of the deeper poignance that would characterise Mozart’s later works. Janáček’s Mládí adds contrast to the programme. Composed during a reflective period in Janáček’s life, this wind sextet is a recollection of his youth, infused with astute humor and a classical form. Written during a stay in his birthplace of Hukvaldy, Janáček uses fresh expressions and a quote from his earlier work, March of the Blue Boys, to evoke the spirit of his younger days. The addition of a bass clarinet to the traditional wind quintet lends the piece a unique, rich texture. The concert concludes with Mozart’s Piano Concerto No. 21, K. 467, a work of depth and beauty. Known for its large melodic leaps and underlying restlessness, this concerto’s middle movement is particularly renowned for its expressive poignancy. (Tuesday) 7:30 pm Wiener Musikverein Musikvereinspl. 1, 1010 Wien, Austria 30jan7:30 pmSALZBURG, AUSTRIA - MAHLER CHAMBER ORCHESTRA - MOZART, HÄNDEL PROGRAMME
W. A. MOZART: Piano Concerto No.18 K.456
G. F. HÄNDEL: Concerto Grosso op. 3 No. 2
W. A. MOZART: Piano Concerto No.21 K.467
PERFORMING WITH
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & more PROGRAMME PERFORMING WITH MCO NOTE: For this concert in Luxembourg Mozart’s Piano Concerto No. 18 and No. 21 frame George Frideric Handel’s Concerto Grosso op. 3 No. 2. Often overshadowed by his more famous B-flat concerto (Piano Concerto No. 27), Mozart’s Piano Concerto No. 18 leans towards the entertaining rather than the expressive, offering glimpses of the deeper poignance that would characterize his later works. The opening movement of Handel’s Concerto Grosso op. 3 No. 2 bears a close relationship to Handel’s Brockes Passion of 1716. Two dance movements, a minuet, and a gavotte complete the concerto. In the Largo, the oboe’s expressive cantilena is gently accompanied by the broken-chord accompaniment of two concertante cellos. The concert concludes with Mozart’s Piano Concerto No. 21, K. 467, a work of depth and beauty. Known for its large melodic leaps and underlying restlessness, this concerto’s middle movement is particularly renowned for its expressive poignancy. (Thursday) 7:30 pm Mozarteum Mirabellplatz 1, 5020 Salzburg, Austria february 2025 01feb7:30 pmLONDON, UK - MAHLER CHAMBER ORCHESTRA - MOZART, JANÁČEK PROGRAMME
W. A. MOZART: Piano Concerto No.18 K.456
L. JANÁČEK: Mládí
W. A. MOZART: Piano Concerto No.21 K.467
PERFORMING WITH
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & leader
Mahler Chamber Orchestra
MCO NOTE:
The fifth year more PROGRAMME PERFORMING WITH MCO NOTE: Often overshadowed by his more famous B-flat concerto (Piano Concerto No. 27), No. 18 leans towards the entertaining rather than expressive, offering glimpses of the deeper poignance that would characterise Mozart’s later works. Janáček’s Mládí adds contrast to the programme. Composed during a reflective period in Janáček’s life, this wind sextet is a recollection of his youth, infused with astute humor and a classical form. Written during a stay in his birthplace of Hukvaldy, Janáček uses fresh expressions and a quote from his earlier work, March of the Blue Boys, to evoke the spirit of his younger days. The addition of a bass clarinet to the traditional wind quintet lends the piece a unique, rich texture. The concert concludes with Mozart’s Piano Concerto No. 21, K. 467, a work of depth and beauty. Known for its large melodic leaps and underlying restlessness, this concerto’s middle movement is particularly renowned for its expressive poignancy. (Saturday) 7:30 pm Royal Festival Hall Southbank Centre, Belvedere Rd, London SE1 8XX 23feb7:30 pmCAMBRIDGE, UK - RECITAL - BEETHOVEN, SCHUBERT PROGRAMME TO INCLUDE
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960
VENUE NOTE
Legendary pianist Dame Mitsuko Uchida brings a deep insight into the music she plays through her more PROGRAMME TO INCLUDE VENUE NOTE She has enjoyed close relationships over many years with the world’s most renowned orchestras, including the Berlin Philharmonic, Royal Concertgebouw Orchestra, Bavarian Radio Symphony, London Symphony Orchestra, London Philharmonic Orchestra, and – in the US – the Chicago Symphony and The Cleveland Orchestra, with whom she recently celebrated her 100th performance at Severance Hall. Conductors with whom she has worked closely have included Bernard Haitink, Sir Simon Rattle, Riccardo Muti, Esa-Pekka Salonen, Vladimir Jurowski, Andris Nelsons, Gustavo Dudamel, and Mariss Jansons. Since 2016, Mitsuko Uchida has been an Artistic Partner of the Mahler Chamber Orchestra, with whom she is currently engaged on a five-year touring project in Europe and North America. She also appears regularly in recital in Vienna, Berlin, Paris, Amsterdam, London, New York and Tokyo, and is a frequent guest at the Salzburg Mozartwoche and Salzburg Festival. Mitsuko Uchida records exclusively for Decca, and her multi-award-winning discography includes the complete Mozart and Schubert piano sonatas. She is the recipient of two Grammy Awards – for Mozart Concertos with The Cleveland Orchestra, and for an album of lieder with Dorothea Röschmann – and her recording of the Schoenberg Piano Concerto with Pierre Boulez and the Cleveland Orchestra won the Gramophone Award for Best Concerto. (Sunday) 7:30 pm West Road Concert Hall Cambridge CB3 9DP 26feb8:00 pmBRUSSELS, BELGIUM - RECITAL - BEETHOVEN, SCHUBERT PROGRAMME TO INCLUDE
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960
VENUE NOTE:
World famous for her impeccable interpretations, Mitsuko Uchida always seeks the very depths of the music. And there more PROGRAMME TO INCLUDE VENUE NOTE: World famous for her impeccable interpretations, Mitsuko Uchida always seeks the very depths of the music. And there is no better piece in which to do so than Schubert’s last piano sonata. In this monumental work, with its exceptional emotional range, the Austrian master takes us on an inner journey. Untrammelled joy and profound stillness are just two of the stations on the way. Beethoven’s self-assured, compact Piano Sonata No. 27 is the perfect counterweight. “Every time you play a great piece of music, there is a new discovery. Every time”, Uchida claims. What will she lead us to discover this time? (Wednesday) 8:00 pm BOZAR Centre for Fine Arts Rue Ravensteinstraat 23 1000 Brussels 28feb8:00 pmFRANKFURT, GERMANY - RECITAL - BEETHOVEN, SCHUBERT PROGRAMME TO INCLUDE
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960
VENUE NOTE
Mitsuko Uchida macht kein Geheimnis daraus, wofür ihr Musikerherz am stärksten schlägt: „Jeder Tag meines Lebens, more PROGRAMME TO INCLUDE VENUE NOTE Konzertpate: B. Metzler seel. Sohn & Co. AG (Friday) 8:00 pm Alte Oper Opernplatz 1, 60313 Frankfurt am Main, Germany march 2025 04mar7:30 pmVIENNA, AUSTRIA - RECITAL - BEETHOVEN, SCHUBERT PROGRAMME TO INCLUDE
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960 PROGRAMME TO INCLUDE (Tuesday) 7:30 pm WIENER KONZERTHAUS Lothringerstraße 18/3 · 1030 09mar8:00 pmMILAN, ITALY - RECITAL - BEETHOVEN, SCHUBERT PROGRAMME TO INCLUDE
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960 PROGRAMME TO INCLUDE (Sunday) 8:00 pm LA SCALA Filodrammatici Street, 2 - 20121 23mar3:00 pmBERKELEY, CA USA - MAHLER CHAMBER ORCHESTRA TOUR - MOZART PROGRAMME
W. A. MOZART: Piano Concerto No.18 K.456
L. JANÁČEK: Mládí
W. A. MOZART: Piano Concerto No.21 K.467
PERFORMING WITH
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & leader
Mahler Chamber Orchestra
MCO more PROGRAMME PERFORMING WITH MCO NOTE Often overshadowed by his more famous B-flat concerto (Piano Concerto No. 27), No. 18 leans towards the entertaining rather than the profoundly expressive, offering glimpses of the deeper poignance that would characterize Mozart’s later works. Uchida’s interpretation brings out the concerto’s intricate elegance, highlighting its playful yet sophisticated nature. Janáček’s Mládí adds contrast to the program. Composed during a reflective period in Janáček’s life, this wind sextet is a recollection of his youth, infused with astute humor and classical form. Written during a stay in his birthplace of Hukvaldy, Janáček uses fresh expressions and a quote from his earlier work, March of the Blue Boys, to evoke the spirit of his younger days. The addition of a bass clarinet to the traditional wind quintet lends the piece a unique, rich texture. The concert concludes with Mozart’s Piano Concerto No. 21, K. 467, a work of depth and beauty. Known for its large melodic leaps and underlying restlessness, this concerto’s middle movement is particularly renowned for its expressive poignancy. (Sunday) 3:00 pm Zellerbach Hall at UC Berkeley 101 Zellerbach Hall, Berkeley, CA 94720, United States 25mar7:30 pmATHENS, GA USA - MAHLER CHAMBER ORCHESTRA TOUR - MOZART PROGRAMME
W. A. MOZART: Piano Concerto No.18 K.456
L. JANÁČEK: Mládí
W. A. MOZART: Piano Concerto No.21 K.467
PERFORMING WITH
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & leader
Mahler Chamber Orchestra
MCO NOTE
Our tour with more PROGRAMME PERFORMING WITH MCO NOTE Often overshadowed by his more famous B-flat concerto (Piano Concerto No. 27), No. 18 leans towards the entertaining rather than the profoundly expressive, offering glimpses of the deeper poignance that would characterize Mozart’s later works. Uchida’s interpretation brings out the concerto’s intricate elegance, highlighting its playful yet sophisticated nature. Janáček’s Mládí adds contrast to the program. Composed during a reflective period in Janáček’s life, this wind sextet is a recollection of his youth, infused with astute humor and classical form. Written during a stay in his birthplace of Hukvaldy, Janáček uses fresh expressions and a quote from his earlier work, March of the Blue Boys, to evoke the spirit of his younger days. The addition of a bass clarinet to the traditional wind quintet lends the piece a unique, rich texture. The concert concludes with Mozart’s Piano Concerto No. 21, K. 467, a work of depth and beauty. Known for its large melodic leaps and underlying restlessness, this concerto’s middle movement is particularly renowned for its expressive poignancy. (Tuesday) 7:30 pm UGA - Hodgson Concert Hall 230 River Rd, Athens, GA 30602 27mar7:30 pmPRINCETON, NJ USA - MAHLER CHAMBER ORCHESTRA TOUR - MOZART PROGRAMME
W. A. MOZART: Piano Concerto No.18 K.456
L. JANÁČEK: Mládí
W. A. MOZART: Piano Concerto No.21 K.467
PERFORMING WITH
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & leader
Mahler Chamber Orchestra
MCO NOTE
Our tour with more PROGRAMME PERFORMING WITH MCO NOTE Often overshadowed by his more famous B-flat concerto (Piano Concerto No. 27), No. 18 leans towards the entertaining rather than the profoundly expressive, offering glimpses of the deeper poignance that would characterize Mozart’s later works. Uchida’s interpretation brings out the concerto’s intricate elegance, highlighting its playful yet sophisticated nature. Janáček’s Mládí adds contrast to the program. Composed during a reflective period in Janáček’s life, this wind sextet is a recollection of his youth, infused with astute humor and classical form. Written during a stay in his birthplace of Hukvaldy, Janáček uses fresh expressions and a quote from his earlier work, March of the Blue Boys, to evoke the spirit of his younger days. The addition of a bass clarinet to the traditional wind quintet lends the piece a unique, rich texture. The concert concludes with Mozart’s Piano Concerto No. 21, K. 467, a work of depth and beauty. Known for its large melodic leaps and underlying restlessness, this concerto’s middle movement is particularly renowned for its expressive poignancy. (Thursday) 7:30 pm Richardson Auditorium 68 Nassau St, Princeton, NJ 08544, United States 29mar8:00 pmNEW YORK, NY USA - MAHLER CHAMBER ORCHESTRA TOUR - MOZART PROGRAMME
W. A. MOZART: Piano Concerto No.18 K.456
L. JANÁČEK: Mládí
W. A. MOZART: Piano Concerto No.21 K.467
PERFORMING WITH
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & leader
Mahler Chamber Orchestra
MCO NOTE
Our tour with more PROGRAMME PERFORMING WITH MCO NOTE Often overshadowed by his more famous B-flat concerto (Piano Concerto No. 27), No. 18 leans towards the entertaining rather than the profoundly expressive, offering glimpses of the deeper poignance that would characterize Mozart’s later works. Uchida’s interpretation brings out the concerto’s intricate elegance, highlighting its playful yet sophisticated nature. Janáček’s Mládí adds contrast to the program. Composed during a reflective period in Janáček’s life, this wind sextet is a recollection of his youth, infused with astute humor and classical form. Written during a stay in his birthplace of Hukvaldy, Janáček uses fresh expressions and a quote from his earlier work, March of the Blue Boys, to evoke the spirit of his younger days. The addition of a bass clarinet to the traditional wind quintet lends the piece a unique, rich texture. The concert concludes with Mozart’s Piano Concerto No. 21, K. 467, a work of depth and beauty. Known for its large melodic leaps and underlying restlessness, this concerto’s middle movement is particularly renowned for its expressive poignancy. (Saturday) 8:00 pm Carnegie Hall 881 7th Ave, New York, NY 10019, United States april 2025 04apr7:30 pmPHILADELPHIA, PA USA - RECITAL - BEETHOVEN, SCHUBERT PROGRAMME TO INCLUDE
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960
VENUE NOTE:
One of the most revered artists of our time, Mitsuko Uchida’s PCMS recitals are always “must-see” PROGRAMME TO INCLUDE VENUE NOTE: One of the most revered artists of our time, Mitsuko Uchida’s PCMS recitals are always “must-see” events, her intensely moving interpretations of classical repertoire balancing sinew and sensitivity with crystalline articulation and vivid dynamic contrasts. “Hers is nerve-end playing of surpassing fantasy and refinement, minutely responsive to texture and color” (Gramophone). (Friday) 7:30 pm Perelman Theater, Kimmel Center 300 S Broad St, Philadelphia, PA 19102, United States 06apr3:00 pmALBANY, NY USA - RECITAL - BEETHOVEN, SCHUBERT PROGRAMME TO INCLUDE
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960
VENUE NOTE:
One of the most revered artists of our time, Mitsuko Uchida’s PCMS recitals are always “must-see” PROGRAMME TO INCLUDE VENUE NOTE: One of the most revered artists of our time, Mitsuko Uchida’s PCMS recitals are always “must-see” events, her intensely moving interpretations of classical repertoire balancing sinew and sensitivity with crystalline articulation and vivid dynamic contrasts. “Hers is nerve-end playing of surpassing fantasy and refinement, minutely responsive to texture and color” (Gramophone). (Sunday) 3:00 pm Union College 807 Union St, Schenectady, NY 12308, United States 09apr8:00 pmNEW YORK, NY USA - RECITAL - BEETHOVEN, SCHUBERT - PERSPECTIVES SERIES PROGRAMME TO INCLUDE
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960
VENUE NOTE:
With this recital, the great Mitsuko Uchida concludes her historic, three-season Perspectives series at Carnegie Hall. For the PROGRAMME TO INCLUDE VENUE NOTE: With this recital, the great Mitsuko Uchida concludes her historic, three-season Perspectives series at Carnegie Hall. For the occasion, she performs piano sonatas by Beethoven and Schubert—repertoire that she approaches with a lifetime of passion and probing intellect, and for which she is widely considered one of world’s leading interpreters. (Wednesday) 8:00 pm Carnegie Hall 881 7th Ave, New York, NY 10019, United States 17apr7:30 pmBOSTON, MA USA - BOSTON SYMPHONY ORCHESTRA - BEETHOVEN PROGRAMME
BEETHOVEN Piano Concerto No. 4
Programme also includes SHOSTAKOVICH Symphony No. 15
PERFORMING WITH
Boston Symphony Orchestra
Andris Nelsons, conductor
Mitsuko Uchida has, from an early age, been considered a standout interpreter of Beethoven. The more PROGRAMME Programme also includes SHOSTAKOVICH Symphony No. 15 PERFORMING WITH Mitsuko Uchida has, from an early age, been considered a standout interpreter of Beethoven. The Fourth is considered the first of Beethoven’s piano concertos to depart from the format prescribed by Mozart (an orchestral introduction with a dramatic solo entrance). The concerto’s opening lets the instrument speak for itself — intimately and delicately so—to lead the way for the rest of the ensemble. Shostakovich’s Fifteenth Symphony is his last symphony and is full of quotations, codes, clues, and ambiguity. This is an experience defying description that invites the listener to create their own personal interpretation. (Thursday) 7:30 pm Boston Symphony Hall 301 Massachusetts Avenue Boston, MA 02115 18apr1:30 pmBOSTON, MA USA - BOSTON SYMPHONY ORCHESTRA - BEETHOVEN PROGRAMME
BEETHOVEN Piano Concerto No. 4
Programme also includes SHOSTAKOVICH Symphony No. 15
PERFORMING WITH
Boston Symphony Orchestra
Andris Nelsons, conductor
Mitsuko Uchida has, from an early age, been considered a standout interpreter of Beethoven. The more PROGRAMME Programme also includes SHOSTAKOVICH Symphony No. 15 PERFORMING WITH Mitsuko Uchida has, from an early age, been considered a standout interpreter of Beethoven. The Fourth is considered the first of Beethoven’s piano concertos to depart from the format prescribed by Mozart (an orchestral introduction with a dramatic solo entrance). The concerto’s opening lets the instrument speak for itself — intimately and delicately so—to lead the way for the rest of the ensemble. Shostakovich’s Fifteenth Symphony is his last symphony and is full of quotations, codes, clues, and ambiguity. This is an experience defying description that invites the listener to create their own personal interpretation. (Friday) 1:30 pm Boston Symphony Hall 301 Massachusetts Avenue Boston, MA 02115 19apr8:00 pmBOSTON, MA USA - BOSTON SYMPHONY ORCHESTRA - BEETHOVEN PROGRAMME
BEETHOVEN Piano Concerto No. 4
Programme also includes SHOSTAKOVICH Symphony No. 15
PERFORMING WITH
Boston Symphony Orchestra
Andris Nelsons, conductor
Mitsuko Uchida has, from an early age, been considered a standout interpreter of Beethoven. The more PROGRAMME Programme also includes SHOSTAKOVICH Symphony No. 15 PERFORMING WITH Mitsuko Uchida has, from an early age, been considered a standout interpreter of Beethoven. The Fourth is considered the first of Beethoven’s piano concertos to depart from the format prescribed by Mozart (an orchestral introduction with a dramatic solo entrance). The concerto’s opening lets the instrument speak for itself — intimately and delicately so—to lead the way for the rest of the ensemble. Shostakovich’s Fifteenth Symphony is his last symphony and is full of quotations, codes, clues, and ambiguity. This is an experience defying description that invites the listener to create their own personal interpretation. (Saturday) 8:00 pm Boston Symphony Hall 301 Massachusetts Avenue Boston, MA 02115 may 2025 18may6:00 pmLISBON, PORTUGAL - RECITAL - BEETHOVEN, SCHUBERT PROGRAMME TO INCLUDE
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960
VENUE NOTE:
After dedicating herself to the demanding Diabelli Variations, pushing her interpretation of one of Beethoven’s most fascinating more PROGRAMME TO INCLUDE VENUE NOTE: After dedicating herself to the demanding Diabelli Variations, pushing her interpretation of one of Beethoven’s most fascinating creations to the limit – along with Schubert and Mozart, the centrepiece of her career – the accomplished pianist Mitsuko Uchida asked herself what the next challenge should be. She found an answer in the last piano sonatas by the German composer, whose genius she says lies in “his absolutely grandiose vision of the universe”. At Gulbenkian Music, Uchida will perform Beethoven’s Sonatas No. 27, combining it with one of Schubert’s final three masterpieces in the genre. (Sunday) 6:00 pm Grand Auditorium - Gulbenkian Av. de Berna, 45A, 1067-001 Lisbon 21may8:00 pmBERLIN, GERMANY - RECITAL - BEETHOVEN, SCHUBERT PROGRAMME TO INCLUDE
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960
VENUE NOTE:
Mitsuko Uchida is the grande dame of the piano – and one of the Berliner Philharmoniker’s more PROGRAMME TO INCLUDE VENUE NOTE: Mitsuko Uchida is the grande dame of the piano – and one of the Berliner Philharmoniker’s close artistic companions. Her elegant, gripping and sensitive playing makes her an ideal interpreter of the piano works of Ludwig van Beethoven and Franz Schubert. In the final concert of our piano series, we will hear her perform Beethoven’s Piano Sonata in E minor, which journeys between contemplative calm and passionate forward momentum, as well as Schubert’s last sonata – a work full of intense emotions: sometimes rapturous and reflective, sometimes comforting; and at times, offering a terrifying glimpse into a psychological abyss. (Wednesday) 8:00 pm Berliner Philharmonie Herbert-von-Karajan-Straße 1, 10785 Berlin, Germany 27may8:00 pmCOLOGNE, GERMANY - RECITAL - BEETHOVEN, SCHUBERT PROGRAMME TO INCLUDE
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960
VENUE NOTE:
Als Kind verließ sie ihre japanische Heimat und kam nach Österreich – und damit in eine more PROGRAMME TO INCLUDE VENUE NOTE: Als Kind verließ sie ihre japanische Heimat und kam nach Österreich – und damit in eine neue Welt. In Wien ausgebildet, entwickelte sich Mitsuko Uchida zu einer Pianistin von Weltrang. Ihre Begeisterung für die Wiener Musik begleitet sie bis heute. Wie tief kann man in manche Ozeane eintauchen? »Unendlich«, sagt Mitsuko Uchida und meint damit vor allem die Sonaten von Franz Schubert und Ludwig van Beethoven. »Es sind allerdings völlig verschiedene Klangwelten.« Trotz ihrer reichen Bühnenerfahrung begegnet Uchida den großen Werken der Klavierliteratur so sensibel wie am ersten Tag. »Ich bin heute vielleicht mutiger, aber in einem anderen Sinne als in meinen ersten Jahren.« Mit ihrem ›Wiener Blut‹ kommt sie den Geheimnissen dieser Musik ganz sicher auf die Spur … Gefördert vom Kuratorium KölnMusik e.V. (Tuesday) 8:00 pm Kölner Philharmonie Bischofsgartenstraße 1 50667 Event Details
Event Details
Beethoven: Concerto for Piano and Orchestra No. 3 in C minor op. 37
Rundfunk-Sinfonieorchester Berlin
Vladimir Jurowski, conductor
Für das Klavierkonzert Nr. 3 von Ludwig van Beethoven braucht es eine wissende Künstlerin, die imstande ist, die besondere lyrische Qualität dieses Meisterwerkes adäquat wiederzugeben. Mitsuko Uchida bringt genau diese lebenserfahrene „Klugheit des Herzens“ mit. Wir freuen uns sehr über ihr spätes Debüt beim Rundfunk-Sinfonieorchester Berlin!Time
Location
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Beethoven: Piano Concerto No. 3
Orchestre de Paris
Klaus Mäkelä, conductor
Beethoven’s epic-tragic grandeur, sublimated by Mitsuko Uchida’s touch, shines through on this exceptional line-up, all the more so as it is preceded by a premiere and followed by Berlioz’s excess.Time
Location
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Event Details
Beethoven: Piano Concerto No. 3
Orchestre de Paris
Klaus Mäkelä, conductor
Beethoven’s epic-tragic grandeur, sublimated by Mitsuko Uchida’s touch, shines through on this exceptional line-up, all the more so as it is preceded by a premiere and followed by Berlioz’s excess.Time
Location
Event Details
Event Details
W. A. MOZART: Piano Concerto No.18 K.456
G. F. HÄNDEL: Concerto Grosso op. 3 No. 2
W. A. MOZART: Piano Concerto No.21 K.467
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & leader
Mahler Chamber Orchestra
The fifth year of our collaboration with Artistic Partner Mitsuko Uchida brings us from Luxembourg to London.Time
Location
Event Details
Event Details
W. A. MOZART: Piano Concerto No.18 K.456
L. JANÁČEK: Mládí
W. A. MOZART: Piano Concerto No.21 K.467
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & leader
Mahler Chamber Orchestra
The fifth year of our collaboration with Artistic Partner Mitsuko Uchida brings us Luxembourg to London. For this concert in Dortmund Mozart’s Piano Concerto No. 18 and No. 21, frame Leoš Janáček’s wind sextet, Mládí (“Youth”).Time
Location
Event Details
Event Details
W. A. MOZART: Piano Concerto No.18 K.456
L. JANÁČEK: Mládí
W. A. MOZART: Piano Concerto No.21 K.467
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & leader
Mahler Chamber Orchestra
The fifth year of our collaboration with Artistic Partner Mitsuko Uchida brings us Luxembourg to London. For this concert in Dortmund Mozart’s Piano Concerto No. 18 and No. 21, frame Leoš Janáček’s wind sextet, Mládí (“Youth”).Time
Location
Event Details
Event Details
W. A. MOZART: Piano Concerto No.18 K.456
L. JANÁČEK: Mládí
W. A. MOZART: Piano Concerto No.21 K.467
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & leader
Mahler Chamber Orchestra
The fifth year of our collaboration with Artistic Partner Mitsuko Uchida brings us Luxembourg to London. For this concert in Dortmund Mozart’s Piano Concerto No. 18 and No. 21, frame Leoš Janáček’s wind sextet, Mládí (“Youth”).Time
Location
Event Details
Event Details
W. A. MOZART: Piano Concerto No.18 K.456
G. F. HÄNDEL: Concerto Grosso op. 3 No. 2
W. A. MOZART: Piano Concerto No.21 K.467
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & leader
Mahler Chamber Orchestra
The fifth year of our collaboration with Artistic Partner Mitsuko Uchida brings us from Luxembourg to London.Time
Location
Event Details
Event Details
W. A. MOZART: Piano Concerto No.18 K.456
L. JANÁČEK: Mládí
W. A. MOZART: Piano Concerto No.21 K.467
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & leader
Mahler Chamber Orchestra
The fifth year of our collaboration with Artistic Partner Mitsuko Uchida brings us Luxembourg to London. For this concert in Dortmund Mozart’s Piano Concerto No. 18 and No. 21, frame Leoš Janáček’s wind sextet, Mládí (“Youth”).Time
Location
Event Details
Event Details
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960
Legendary pianist Dame Mitsuko Uchida brings a deep insight into the music she plays through her own quest for truth and beauty. Renowned for her interpretations of Mozart, Schubert, Schumann and Beethoven, she has also illuminated the music of Berg, Schoenberg, Webern and Boulez for a new generation of listeners. She is a former Visiting Fellow of Peterhouse, Cambridge, and her February 2023 recital is her seventh for Camerata Musica Cambridge.Time
Location
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Event Details
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960Time
Location
Event Details
Event Details
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960
Mitsuko Uchida macht kein Geheimnis daraus, wofür ihr Musikerherz am stärksten schlägt: „Jeder Tag meines Lebens, an dem ich Mozart, Beethoven, Schubert und auch die Musik unserer Zeit spielen darf – das ist für mich ein Geschenk von irgendwoher. Wenn es den Himmel gibt, dann ist es der Himmel.“ Zur Wiener Klassik und überhaupt zur deutsch-österreichischen Klavierliteratur hegt die Pianistin ein enges Verhältnis. In der Alten Oper hat sie das bereits regelmäßig unter Beweis gestellt und kehrt auch in dieser Saison mit zwei gewichtigen Werken Beethovens und Schuberts hierher zurück. Sein spätes Sonatenschaffen läutete Ersterer mit seiner Sonate op. 90 ein, während Letzterer mit seiner B-Dur-Sonate sein schöpferisches Leben vollendete: Zwei Monate nach Uraufführung des aufwühlenden Werks starb Schubert im Alter von nur 31 Jahren.Time
Location
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Event Details
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960Time
Location
Event Details
Event Details
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960Time
Location
Event Details
Event Details
W. A. MOZART: Piano Concerto No.18 K.456
L. JANÁČEK: Mládí
W. A. MOZART: Piano Concerto No.21 K.467
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & leader
Mahler Chamber Orchestra
Our tour with Artistic Partner Mitsuko Uchida brings us to the USA for the fifth time. For this edition, Mozart’s Piano Concerto No. 18 and No. 21 frame Leoš Janáček’s wind sextet, Mládí (Youth).Time
Location
Event Details
Event Details
W. A. MOZART: Piano Concerto No.18 K.456
L. JANÁČEK: Mládí
W. A. MOZART: Piano Concerto No.21 K.467
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & leader
Mahler Chamber Orchestra
Our tour with Artistic Partner Mitsuko Uchida brings us to the USA for the fifth time. For this edition, Mozart’s Piano Concerto No. 18 and No. 21 frame Leoš Janáček’s wind sextet, Mládí (Youth).Time
Location
Event Details
Event Details
W. A. MOZART: Piano Concerto No.18 K.456
L. JANÁČEK: Mládí
W. A. MOZART: Piano Concerto No.21 K.467
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & leader
Mahler Chamber Orchestra
Our tour with Artistic Partner Mitsuko Uchida brings us to the USA for the fifth time. For this edition, Mozart’s Piano Concerto No. 18 and No. 21 frame Leoš Janáček’s wind sextet, Mládí (Youth).Time
Location
Event Details
Event Details
W. A. MOZART: Piano Concerto No.18 K.456
L. JANÁČEK: Mládí
W. A. MOZART: Piano Concerto No.21 K.467
Mitsuko Uchida piano & director
José Maria Blumenschein concertmaster & leader
Mahler Chamber Orchestra
Our tour with Artistic Partner Mitsuko Uchida brings us to the USA for the fifth time. For this edition, Mozart’s Piano Concerto No. 18 and No. 21 frame Leoš Janáček’s wind sextet, Mládí (Youth).Time
Location
Event Details
Event Details
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960Time
Location
Event Details
Event Details
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960Time
Location
Event Details
Event Details
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960Time
Location
Event Details
Event Details
BEETHOVEN Piano Concerto No. 4
Boston Symphony Orchestra
Andris Nelsons, conductorTime
Location
Event Details
Event Details
BEETHOVEN Piano Concerto No. 4
Boston Symphony Orchestra
Andris Nelsons, conductorTime
Location
Event Details
Event Details
BEETHOVEN Piano Concerto No. 4
Boston Symphony Orchestra
Andris Nelsons, conductorTime
Location
Event Details
Event Details
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960Time
Location
Event Details
Event Details
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960Time
Location
Event Details
Event Details
Beethoven: Sonata in E minor, Op. 90
Schubert: Sonata in B-flat, D. 960Time
Location
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